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1 January, 2022

3×3 Magazine Profile of Illustrator Johanna Goodman

Out now! My profile of illustrator Johanna Goodman in Issue 28 of 3×3 Magazine. Here is an excerpt:

One of the signature aspects of Johanna’s Catalogue of Imaginary Beings is her reinvention of the body’s proportions. Massive, freeform torsos dominate these collages, with miniaturized heads, hands, and feet emerging like tiny appendages: whereas the standard head-to-body ratio taught in figure drawing classes is around 1:8, the head-to-body ratio of most Beings is roughly 1:14. The change in scale monumentalizes and mythologizes the figures even as it creates a somewhat comical effect—or if not comic, perhaps the tiny extremities simply render these powerful bodies a tad less menacing.

The unexpected shift in hierarchy—from the face to the body—creates opportunities for unexpected narratives. “Much like Nick Cave’s Soundsuits, so much can be expressed through the body,” Johanna observes. “Focusing on the figure frees me up to emphasize gesture and adornment and gives me the opportunity to make the body not a body at all, but something else—anything at all.”

Read the entire profile (as well as prior articles) under Design is Play Articles. [MF]

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27 October, 2021

Play Press: “White Lies Matter” Posters Acquired by the V&A

We’re honored to have our 2020 “White Lies Matter” diptych accessioned by the V&A in London! A sincere thank you to our 75 Kickstarter backers who helped bring this project to life!

In addition to the V&A, these two posters are in the collections of Museum für Gestaltung Zürich; Poster Museum at Wilanów, Warsaw; Museum für Kunst und Gewerbe Hamburg; Los Angeles County Museum of Art (LACMA); Center for the Study of Political Graphics (CSPG), Los Angeles; Letterform Archive, San Francisco; and the Merril. C. Berman Collection.

See our “White Lies Matter” posters and others under Design is Play Studio Posters.

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1 October, 2021

3×3 Magazine Profile of Illustrator Hudson Christie

Out now! My profile of illustrator Hudson Christie in Issue 27 of 3×3 Magazine. Here is an excerpt:

In conversation, Hudson Chrisite laughs easily, and often. He is amused by incongruity in art and film, and finds unintentional flaws especially endearing. “It’s why the original Star Wars trilogy—before George Lucas got his hands on CG and went back and “‘fixed” it—is a lot more fun to look at. Because you can see the seams,” he says. All of which may help explain Hudson’s aesthetic—what might be termed “blobular affability.”

This playful, childlike quality seems instantly familiar—perhaps because all of us at one time or another have had the experience of squeezing a handful of modeling clay or Play-Doh. The immediacy and accessibility of this visual language is one of its strengths: it is difficult to not be charmed by Hudson’s work.

Read the entire profile (as well as prior articles) under Design is Play Articles. [MF]

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1 June, 2021

3×3 Magazine Profile of Illustrator Sandra Dionisi

Out now! My profile of illustrator Sandra Dionisi in Issue 26 of 3×3 Magazine. Here is an excerpt:

The quality of inscrutability, of an image that is simultaneously clear yet veiled, is a persistent feature of Sandra’s work, and it prompts not simply passive interest, but active contemplation. This invitation to contemplation is one of the recurring pleasures of Sandra’s work, and I find myself poring over the details of her illustrations in an effort to decipher the external cues of deeply internal and private states of being.

Sandra’s work is lovely—and worth your spending time with. Read the entire profile (as well as prior articles) under Design is Play Articles. [MF]

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4 January, 2021

The Post Identity

We are excited to share our latest trademark for Touchstone Climbing! The Post will be opening in a former US post office in Pasadena, California.

See all of our logos for Touchstone Climbing under Design is Play Systems.

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