
Our book, Symbols: A Handbook for Seeing, is included in Format Magazine’s list of “Best of New Graphic Design Books in 2017”!

Our book, Symbols: A Handbook for Seeing, is included in Format Magazine’s list of “Best of New Graphic Design Books in 2017”!

We are one of ten U.S. design studios invited to interpret an amendment from the Bill of Rights. We were randomly assigned the Sixth Amendment—the right to a fair trial.
Organized by ThoughtMatter, Mirko Ilić, and The Constitutional Sources Project (ConSource), the exhibit is open to the public September 18-23 at The Cooper Union, NYC.
See our poster and others under Design is Play Studio Posters.
Handwriting: Mathieu Lommen
Photography: Mark Serr
Sculpture: One of two cast-concrete “Urns of Justice” at the U.S. Courthouse in Lafayette, Louisiana, by artist Diana Moore.
(Source image from the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.)

(clockwise from top left) Trump 24K Gold-Plated, Republican Contract on America, howiloveya and Beware of God.
Milton Glaser and Mirko Ilić’s “Expanded Edition” of The Design of Dissent includes posters from Design is Play, BlackDog, and California College of the Arts!
We are honored that our 2016 poster Trump 24K Gold-Plated shares a spread with work from Barbara Kruger and Edel Rodriguez. Earlier BlackDog posters are also represented, including Republican Contract on America (1995), howiloveya (1998), and Beware of God (1992).
Student work from my CCA Graphic Design 1 classes includes posters by Dan Covert and Wishmini Perera. [MF]
See our Trump 24K Gold-Plated poster and others under Design is Play Studio Posters.

READ ONLINE | DOWNLOAD
“Symbols: A Handbook for Seeing”
by Ruth Hagopian
Communication Arts, Aug 2017

We are publishing a new poster—Trump (Moloch)—to protest the anti-scientific, anti-environmental policies of Donald Trump and the Republican party. We will be attending the San Francisco “March for Science” on April 22 with our posters held high.
The poster design is a variation of one I originally created for an international environmental poster exhibit in 1997. (See lower image.) The exhibit coincided with the Third Session of the United Nations Framework Convention on Climate Change held in Kyoto, Japan. (This session produced the Kyoto Protocol, an international treaty that committed signatories to reduce greenhouse gasses in an effort to slow the effects of climate change. Although the United States signed the Protocol under President Clinton, the Senate failed to ratify the treaty.)
The 1997 version of my poster is titled Capitalism Consuming His Children (Moloch). The image is inspired by Francisco Goya’s 1819–23 painting Saturn Devouring His Children, and depicts a disembodied, satanic head—Capitalism—gleefully eating a human while smoke billows from its stack. Moloch is the name of an ancient Canaanite god who was worshiped through human sacrifice—specifically, the immolation of children.
Less than 100 days in office, Donald Trump appears hell-bent on becoming the most pro-pollution, anti-environmental American president in half a century. From leasing federal lands to the coal industry, to dismantling clean water rules, to reducing fuel efficiency in cars and trucks, the Republicans will make America more toxic and all of our lives shorter, nastier, and more brutish. Twenty years after the Kyoto Protocol, Trump’s regressive war on the planet has made this new version of my old poster feel sadly appropriate.
Screen printed in gloss black on two fluorescent papers by John Sullivan at Logos Graphics in San Francisco. [MF]

At the invitation of our former student Constance Smith, we had the honor of speaking about our studio practice and the writing of our new book Symbols at Frog Design in San Francisco. Our friends from ARCH were again on hand to sell copies of Symbols, and we followed the lecture with a book signing.
Founded in 1969 in Germany, Frog is a global design consultancy with offices in New York, Munich, Milan, Amsterdam, London, Shanghai, and Sydney.

We are thrilled that our anti-Trump poster was acquired by both the Museum für Kunst und Gewerbe Hamburg and the Stedelijk Museum Amsterdam in February. These are the fourth and fifth European museums to add Trump 24K Gold-Plated to their design collections.
Still no word from any of the American curators we sent the poster to…
See Trump 24K Gold-Plated poster and others under Design is Play Studio Posters.

Our book, Symbols: A Handbook for Seeing, is reviewed in “Why Symbols Matter” by Kelsey Campbell-Dollaghan via Fast Co.Design!

Both Trump 14K Gold-Plated and Trump 24K Gold-Plated were selected for inclusion in the 2017 Annual of the Type Directors Club, Typography 38. (It was designated a “Judge’s Choice” by juror Spencer Charles.) In addition to being exhibited in New York City, our posters and the other winning entries will tour cities in the United States, Canada, China, England, France, Germany, Indonesia, Israel, Japan, Poland, Russia, South Korea, Spain, Taiwan, Thailand, and Vietnam.
See other posters under Design is Play Studio Posters.

Our book, Symbols, is reviewed by Sara Rosen in “Unlock the Mysteries of Life with Symbols: A Handbook for Seeing” via Crave Online.

Thank you Communication Arts and the judges of the 7th Typography Annual for including our unauthorized Trump campaign poster for publication!
We created two versions of the Trump campaign poster, foil stamping the design in two different shades of gold. Both posters were then register embossed. Trump 24K Gold-Plated is one of 143 projects out of 1,839 entries that will appear in the January/February issue of Communication Arts.
See our Trump 24K Gold-Plated poster and others under Design is Play Studio Posters.

Our trademark design for Sacramento Pipeworks was awarded a Silver in the new Graphis Design Annual. See our plog post dated 7 March, 2016 to see the Pipeworks identity and read about the design.

We had the pleasure of celebrating the publication of our book Symbols: A Handbook for Seeing with a lecture and book signing at California College of the Arts where we teach. It was a treat to see so many current and former students! Our friend and colleague Bob Aufuldish provided introductions, and Mac Warrick from ARCH Art & Drafting Supply was there to sell copies of the book—which we slowly signed. (Thank you Bob and Mac!)
Watch the lecture:
Symbols: Angie Wang + Mark Fox at CCA (24:50)

The beauty of this book is showing that symbolic language is not concise and univocal, but fluid, and contradictory, and richly endowed with narratives both past and present. —Steven Heller
Our book comprises symbols that are emblematic of different cultures, epochs, and motivations: images and artifacts created to evangelize, control, sell, teach, protest, initiate, or entertain. The range of media encompasses both the sacred and profane: oil paintings and biscuit packaging, national monuments and commercial trademarks. The work of Juan Gris and Maya Lin is treated with the same reverence as a mass-produced ashtray.
Preview or purchase Symbols. Also available at all better independent bookstores, including Kinokuniya in San Francisco, McNally Jackson in New York City, Hennessy + Ingalls in Los Angeles, and Museum of Contemporary Art Chicago Store.

Prior to the election, we assumed that our Trump 24K Gold-Plated posters would be understood by now as a bullet the country collectively dodged. Unfortunately, we were wrong, and our work took on new meanings with Hillary Clinton’s loss on November 8.
We sent Trump 24K Gold-Plated to a number of curators around the world before the election, and are proud to announce that the poster has been acquired by the Museum für Gestaltung Zürich in Switzerland; the Poster Museum at Wilanów in Warsaw, Poland; and the Victoria and Albert Museum in London, England.
The poster has also been acquired by the Letterform Archive in San Francisco and the Center for the Study of Political Graphics (CSPG) in Los Angeles.
Read our original statement about the design of the poster—written before the election—here.
See our Trump 24K Gold-Plated poster and others under Design is Play Studio Posters.

Our unauthorized campaign poster for Donald Trump is featured in “Who’s Behind that Anti-Trump Art?” on Co.Design by John Brownlee!

We are pleased to announce that The Monacelli Press is releasing our book Symbols: A Handbook for Seeing on November 8, 2016. This richly illustrated anthology includes more than 400 examples of ancient and contemporary art and design in a range of media, including architecture, film, industrial design, graphic design, illustration, and photography. Symbols documents and celebrates the many ways in which designers and artists have chosen to express symbolic ideas visually.
As graphic designers and instructors at California College of the Arts in San Francisco, we bring an informed, curatorial eye to the book’s content. British artist and craftsman William Morris implored the public to “Have nothing in your houses that you do not know to be useful, or believe to be beautiful.” If the book is understood as a kind of house, then we furnished Symbols: A Handbook for Seeing with useful and beautiful ideas and images.
Preview or pre-order from:
Amazon
Barnes and Noble
Also available from:
Kinokuniya in San Francisco
McNally Jackson in New York City
Museum of Contemporary Art Chicago Store

Our FM monogram for Farmhouse Modern was published in Communication Arts’ 57th Design Annual. Of the 4,228 entries, 161 were selected for inclusion.
Farmhouse Modern is a website and quarterly magazine that celebrates a simple but refined aesthetic for the home.
See more of our Trademarks.

In addition to the work from Design is Play mentioned in our last plog, the Los Angeles County Museum of Art acquired seven of Mark’s agitprop screen printed posters designed when he worked under the name BlackDog.
Works include “Elvis Ain’t King” (1992), about the Los Angeles Police Department Beating of Rodney King (above); “The Great Seal (after El Lissitsky)” (1998); “Cover Your Head” (1992); “howiloveya” (1998); “Tricky Ollie” (1998); “State of the Union (Where Friends Meet Friends)” (1998); and “End Pollution: Bomb the Pentagon” (1991). You can read about “End Pollution: Bomb the Pentagon” on our February 21, 2011 plog post.
See other agitprop posters at BlackDog.

Three posters and one postcard we designed in 2010 and 2011 were acquired by the Los Angeles County Museum of Art as part of their Decorative Arts and Design collection.
“Getting Upper” (left) is a screen printed poster we designed for an exhibition at the Pasadena Museum of California Art. Read about it on our March 14, 2011 plog post.
The “Craft Forward” (right) poster announces a symposium on craft at California College of the Arts in San Francisco and features a pattern based on the symposium identity we designed. Read about the identity on our January 5, 2011 plog post.
See other posters under Design is Play Studio Posters.